Why Hans Zimmer Got The Job You Wanted (And You Didn’t)

I worked for Hans Zimmer for about 8 years, 5 of which were in a studio at Remote Control, his facility in Santa Monica. Since leaving Remote, many people have said to me, usually in a conspiratorial tone of voice, things like this: Hans doesn’t really write his own music. The studios only give him work because he’s famous. He’s not a real musician. He just gets his clients drunk and all the work is done by guys in the back room. And so forth.

The underlying implication is that this underhanded semi-musician has Hollywood in his thrall due to Svengali like powers and maybe, someday, they’ll wake up and hire a “real” composer – like whoever is whispering to me.


Well, I hate to break it to you, but Hans gets what he gets because…he deserves it.


Der Text von Michael A. Levine rückt ganz gut eine Perspektive zurecht, die, nicht nur gelegentlich, gerne ignoriert wird.

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